Difference Between Boobs Breasts

In a corner behind a chair, half hidden as it is only because too bulky for the kitchen because of its shape, a round basket - round basket idea, which actually is not , was not exactly when it was braided, and bears traces of deformities caused by the entry into force of plates a little too big - braided colors to make you think of an imaginary Africa, trenches and dull, an elegant restraint, with the illusion that it differs by the interplay of colors, the thickness given to each of those I meet on the street. A round basket with a rustic claimed, and so popular that it is a cliche. Sedge quite thick, and a loop - the wires that go on bridle on each side of a diameter strands stiff, cylindrical, united, tight, twisted by a flat connection - for wide keep under control, reinforced by a strip of leather, a little brown roux, together, almost, not quite, it would not be good, and the link to festoon bordering wicker basket. Anse urban, bourgeois, comfortable.

A basket that brought you imagine (but without those colors) by Perrette, the pot-au-lait. A basket which I meet the brothers at the market, home with a certain grace the first vegetables, which I do not understand why other women continue to use, because it is extremely inconvenient for walking.

And in the kitchen are the ones I use, a good caning white rectangular basket, taking the form of coated canvas bags of waste from the beginning of the next century, mine and one of those little baskets of the same shape in fine weaving orange (mine, but it could be plum or burgundy or beige), which we have been invaded Italy, I believe, and who are both charming and practical.

Especially a good cushion, shaped: Cradle, triangle cut to give a base miraculously stable, flexible form imprecise, buffeted by the contents, intertwining white-blond wound up sewing the edge , the heir of all the baskets of my childhood Algiers, of all my bags vacant young girl, young woman, etc. ... thanks to the strip that serves as a ramp, and saw the cruel bare shoulder companion who lets himself forget extension.

My contribution to the night of last Thursday BU Angers http://www.tierslivre.net/spip/spip.php?article2434 . After reading with pleasure and attention to the text of François Bon, extracts of Ponge and Detambel, I tried something other than my old pot scraped orange background which was binding on me and I refused, I found this picture and came away too quickly, before releasing the others (except Christine Jeanney bowls and my memory of bowls with handles and cock Quimper), forgetting too started to take advantage of the basket, putting a Brigetoun bit much (to console me, other texts, some of which make me very humble, fell slightly in the same defect, driven by the desire to do the archeology of the present as required François Bon)

quiet day, small household incursions into the yard, vague desires to leave the earth to torment, but it is still too cool, or rather am too Noiseuse. Contemplation tense and talkative rugby match (30 years without seeing and unfortunately for France Scotland found that I could watch them, delighted regression). And in the evening, more elegant than my pants corduroy black brogue boots up Rufian ragged, and departure

for opera, a spectacle of the Trisha Brown Dance Compagny with opening "Set and Reset," which dates from 1983 and whose videos I found on returning

everlasting pleasure of this fluidity

second part "it you could'nt see me" 1994: Music planing Raushensberg - a black stage, a dancer with long kilt bathed in red light - dance gymnastics harmony - contradictions between arm and leg - endless chains - a silent vibrating - back memories of music with bells, drafts of jumps, stops frozen, a embryo discontinuity - beautiful

and then, later (2009), Love in the theater - on excerpts from Rameau's Hippolyte et Aricie boys in white pants and t-shirt light gray, white girls in tank tops pan floating and flexible wing fishing pants - duets and ensembles - looking more athletic than the "gracious", a mischievous side, very charming, beautiful geometry of moving bodies, groups and movements on the plateau and a perfect harmony with the music. It ends on a joyful ride, graceful and improbable.

back, leaving popping cough restraint and telling me "not bad at all."

Noises from a party at the hotel EROPA on the night of my street.